Dolakha Album Exhibition 2016 (online)

Dolakha Album: A short term curated community homestay art residency  was a short-term residency curated by visual artist Kailash K Shrestha of Artudio. It was hosted in Gairimudi, Dolakha between 3 – 12 May, 2016. The primary goal of the platform was to integrate artistic process and creations into the context of the setting. Installation, new media and multimedia artists were selected by the curator to travel to the village, where they conducted research and created works to reflect their understanding of the complex realities of life in rural Nepal, post-earthquakes of 2015. While no thematic restrictions were levied, artists were limited to material found in the community. Further, each artist was hosted by a community resident affected by the earthquake and strategic encounters with the community were facilitated under the supervision of the curator.

ABOUT GAIRIMUDI

Gairimudi, an inspiriting village perched atop of a wooded hillock of Dolakha, comprises of nine wards. It is located between Khanikhola river to its north and the village of Virkot along the southern lower belt of the hill. Ethnically diverse, the community represents people of Newar, Sherpa, Magar, Chhetri, Damai, Kami, Sarki denominations. The locality boasts of great natural beauty and cultural sites such as the Kaileshwor temple and the newly discovered Karkale cave. Gairimudi is home to some 4500 inhabitants and 900 houses. It is famous for its rich deposits of red clay.

PRAN COMMUNITY ART CENTER

Pran Community Art Center is a collaborative space dedicated to creating exchanges with native, national and international communities in Gairimudi VDC, Dolakha. The Center is Artudio’s vision for a long-term, post-disaster effort to realize a safe haven for children, where they can explore ideas and art forms outside their immediate academic curriculum. The center has equal participants from all member of the community for cultural celebrations, community meetings and workshops. Currently, the Center resides in a temporary shelter where children and adults benefit from various activities (art, music, performance, book reading, cultural activities) held every Saturday morning and holidays.

CHILDREN’S ART WORKSHOP

A day during the residency was reserved for activities with children of Gairimudi. Artists held several interactions and encounters with over 100 school children during the day. Some recorded music about their surrounding, others performed, and some even created land art in open areas. The results of the day were then shared at the community exhibition on the final day of the Dolakha Album.

INTRO NOTE

The devastating earthquake of 25 April and 12 May brought unprecedented calamity and destruction to Dolakha, epicenter of the second quake. Together the quakes destroyed most houses of the district. Artudio began its post-disaster efforts with Healing Through Art immediately in the wake of the first earthquake. This initiative made its way through Kathmandu, Kavre, Nuwakot to Gairimudi carrying out a range of activities for children along the way. When the program finally arrived in Gairimudi, after the second quake, not a single house remained standing.

Artudio’s efforts in Gairimudi started on the heels of immediate rescue and relief operations. Instantly it revealed many positive changes amongst traumatized children and community members. Inspired by these outcomes, Artudio conceived of a longer term plan to continue engaging the community with the arts. Pran Community Art Center was thus born.

Today, the center operates out of a temporary shed but with a committed institutional vision and support from Artudio’s network of professional artists as well as volunteers, Pran Community Art Center aims to jumpstart a new cultural movement. Similar to the haat bazars that are commonplace across Nepal, we envision a different kind of rural gathering – a space where ideas, skills, creativity and happiness are exchanged.

Based on this vision, the Dolakha Album: Homestay Art Residency was envisioned as a foundational attempt to break away from the perception of art for the privileged or for urban settings. It became a testing ground for artists to redefine art as a contextual object, one that uniformly adapts to the everyday of all settings. Besides inspiring the community of Gairimudi through their artistic processes and creations, encounters facilitated by the Artudio catalyzed a distinguished approach to contextualizing art to the host’s reception. Additionally, the framework was mindful in delivering some relief directly to families economically, psychologically and physically affected by the quakes.

As might be expected, extensive co-operation amongst art institutions, artists and managers is necessary to grant permanence to the center’s mission. Fortunately, the motivations and impact are obvious – the center has immense potential to pioneer a new Nepali approach to collaborations and co-creation. Artudio believes that with enough support it could reach national and international audiences through the center and add a new chapter to Nepali and world art history.

Community Curated Exhibition in Gairimudi, Dolakha curated by visual artist Kailash K Shrestha

ANUTTARIT PRASHNAHARU by local artisan Chabi Bahadur Shrestha, a curatorial intervention.

ASTHITWA by resident artist Sandhya Silwal

ASTHITWA by resident artist Sandhya Silwal

DHUNGA (social structure/social sculpture) by resident artist Sujan Dangol

PERIPHERY by resident artist Surendra Maharjan

SAPANA by resident artist Abhimanyu Dixit

SAPANA by resident artist Abhimanyu Dixit

SAPANA by resident artist Abhimanyu Dixit

CHINTA by Global Art Collective

DOLAKHA ALBUM Curator and Artists team

CURATORIAL NOTE

Contemporary Art has yet to penetrate rural Nepal. When most art projects are concentrated in Kathmandu Valley, Dolakha Album becomes a novel attempt to conduct a community-based residency program far away from the urban hubs.

Although, rural Nepal is still reserved for photographs and paintings of its landscape have been romanticized for decades, exhaustive artistic interventions have never transpired in such environments. Dolkha Album is then the beginning of a more engaging reflection of a village – Gairimudi.

This project could have been only afforded by the commitment of artists to immerse themselves into the culture, lifestyle, atmosphere and spirit of the locality. Thus, eligible artists were identified keeping in mind the challenge of working outside one’s comfort zone and of experimenting with limited resources. Conventional as well as new media artists were selectively invited in an effort to provide a more nurturing climate of co-creation. The community was thus involved in the process of, and discourse on, ‘creating’ and ‘expressing’ in all its diversity. The use of locally available resources and accessible technologies and tools furthered that integration of creating into the community.

Making art in a place like Gairimudi, which is slowly losing its traditional identity and essence, is in itself an achievement. By observing the complex realities of the village, and documenting its present context artists have lent a hand in preserving its contemporary history for years to come. In return, artists were undoubtedly reciprocated with a better understanding of contexts that shape their own practice.

Artists bring fresh thoughts, perspectives to the subject they confront. Through this dialogue they are able to engage and inspire everyone from children to the elderly. Artudio is certain that by championing such platforms more constructive impact can be realized for all people involved. For generosity and reflection is the true measure of an artist’s success and is the goal of art.

Kailash K Shrestha

Curator

Curated Exhibition curated by visual artist Kailash K Shrestha in Artudio, Kathmandu

Exit of Dolakha Album Exhibition

Details of “DHUNGA” Social structure/Social sculpture by one of the resident artists Sujan Dangol

Details of “DHUNGA” Social structure/Social sculpture by one of the resident artists Sujan Dangol

Details of “DHUNGA” Social structure/Social sculpture by one of the resident artists Sujan Dangol

Artwork by local artisan Chhabi Bahadur Shrestha in the exhibition

Artist and Curator Kailash K Shrestha interacting with viewers during the exhibition

Viewers watching short film “SAPANA” created by one of the resident artists AbhiManyu Dixit

Viewers watching short film “SAPANA” created by one of the resident artists AbhiManyu Dixit

Viewers watching short film “SAPANA” created by one of the resident artists AbhiManyu Dixit

Artist and Curator Kailash K Shrestha with viewers

Viewers reading curatorial note

One of the resident artist Rajan Shrestha singing Gairimudi song “CHARAI TIRA HARIYALI BICHMA HAMRO GAON” written by Pratiksha Moktan one of the student from Gairimudi, Dolakha

Exhibition team members

Multimedia projection mapping “STILL” by one of the resident artist Rajan Shrestha

Viewers interacting with artwork

Movie screening

Movie screening

Movie screening

Patyang stencil installation with light projection of ASTHITWA by one of the resident artist Sandhya Silwal

Details of ASTHITWA by one of the resident artist Sandhya Silwal

Curatorial Note

Team panel

Map of Gairimudi, Dolakha

Dolakha Album Exhibition entrance

Management

Basurdha Rai

Santosh Prashad Rimal

Salin Shrestha

Exhibition Production

Rupesh Man Singh

Karma Tshering Gurung

Krisha Tamrakar

Gaurav Dhakal

Exhibition Design

Nistha Nakarkarmi

Graphic Design

Sworup Nhasiju

Editing and Translation

Nischal Oli

Prashant Das

Lights

Rakesh Manandhar

Documentation Team

Biken Ranjit

Yugal Bhakta Shrestha

Krimin Tuladhar

Rajan Kusuley

Siddhant Kapali

Shashim Shakya

Prabesh Maharjan

Volunteers

Sabina Prajapati

Shubha Joshi

Riya Dhungel

Tashi Lama

Nikash Yonjan

Pooja Duwal

Hitesh Vaidhya

Anjila Manandhar

Divya Kathayat

Shruti Khatri

Agrani Jha

Fabrication

Shayam Dai

Electrician

Om Yadav

Venue: Artudio, Chhauni Hospital Road, Swoyambhu