Kailash K Shrestha & Krisha Tamrakar at the Himalayan Art Festival 2024
Kailash K Shrestha and Krisha Tamrakar, contemporary artists representing Artudio, were featured at the Himalayan Art Festival 2024, organized by E-Arts Nepal at the Nepal Art Council in Babarmahal, Kathmandu from September 8-14, 2024. Among over 100 Nepali artists, their works stood out for their innovative approach and profound engagement with socio-political and personal themes. Kailash K. Shrestha’s socio-political commentary as part of his ‘Phantasmal’ series and Krisha Tamrakar’s introspective work captivated audiences, sparking reflection on the complexities of modern life and personal growth.
Kailash K. Shrestha’s featured artwork, “Occurrence After Democracy”, from his renowned ‘Phantasmal’ series, captivated audiences with its striking socio-political commentary. The exhibited pieces delve into the consequences of democracy and political malpractices in Nepal, exploring the unforeseen challenges and evolving landscape of a society striving for equality, freedom, growth and justice. Shrestha’s work speaks to the hopes, disappointments, and ambiguities that accompany political transitions, social ills portraying a bold statement that reflects and questions to the contemporary Nepal within the global frame. The ethereal quality of the ‘Phantasmal’ series is imbued with haunting imagery, inviting viewers to consider the nature of power, malpractice of democracy, and the ongoing pursuit of societal harmony.
In contrast, Krisha Tamrakar offered a more introspective piece with her work titled “Inside.” The concept of this series deals with the subtle growth within daily actions, challenging the pursuit of fulfillment in distant places. The wordless narrative captures the delicate interplay between external dynamism and personal evolution. Unveiling the latent beauty concealed within stillness, this narrative invite viewers to reflect on the overlooked aspects of life, suggesting that profound growth may be right before us, waiting to be recognized.
Both artists brought unique perspectives to the festival, with Shrestha’s socio-political narrative sparking critical reflection on the state of Nepalese society, and Tamrakar’s personal, contemplative approach prompting viewers to reflect on the overlooked subtleties of human experience. Their contributions to the ‘Himalayan Art Festival 2024’ not only enriched the event but also underscored the evolving voice of contemporary Nepali art.
The festival itself served as a dynamic platform, bridging traditional and contemporary art forms, and fostering critical dialogue around the role of art in addressing social, cultural, and individual themes in Nepal.